February BOMC Discussion: Unwritten vol.1 Vertigo, Mike Carey & Peter Gross
#1
Posted 16 February 2010 - 09:00 PM
Tom Taylor's life was screwed from the word go. His father created the mega-popular Tommy Taylor boy-wizard fantasy novels. But dad modeled the fictional epic so closely to Tom that fans constantly compare him to his counterpart, turning him into a lame, Z-level celebrity. When a scandal hints that Tom might really be the boy-wizard made flesh, Tom comes into contact with a mysterious, deadly group that's secretly kept tabs on him all his life. Now, to protect his life and discover the truth behind his origins, Tom will travel the world, to all the places in world history where fictions have shaped reality.
Feel free to drop your thoughts in this thread or on a voicemail (215-279-8839).
The Instocktrades BOMC discount is up! Here's the link:
http://www.instocktrades.com/product.aspx?...f&pid=12393
You can download the first issue from Vertigo's site:
http://www.dccomics.com/vertigo/graphic_novels/?gn=13677
#2
Posted 16 February 2010 - 09:06 PM

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Comics were definitely happier, breezier and more confident in their own strengths before Hollywood and the Internet turned the business of writing superhero stories into the production of low budget storyboards or, worse, into conformist, fruitless attempts to impress or entertain a small group of people who appear to hate comics and their creators. - Grant Morrison
#3
Posted 16 February 2010 - 10:37 PM
#4
Posted 16 February 2010 - 10:47 PM
#7
Posted 18 February 2010 - 01:49 AM
#8
Posted 18 February 2010 - 08:34 AM
4/5 Frekking Sweers
#10
Posted 18 February 2010 - 01:37 PM
#11
Posted 18 February 2010 - 02:11 PM
4/5 Frekking Sweers
For me the 5th issue was my favorite, both because I loved Carey and Gross doing with literary figures what the standout Sandman stories did with fairytale or mythological figures, and I have always had a particular interest in Kipling. And the connection to the main story did become clear within the issue, so it really worked for me, and I loved the way that it broadened and deepened the possibility of what may have happened to Tommy's "father".
#12
Posted 18 February 2010 - 02:27 PM
And then it was freakin' fantastic with issue #5! Holy crap that was something else.
I've been working my way through the Starman Omnibi(?) having forgotten how great the Oscar Wilde/Charles Dickens/Shade stories are. Issue #5 of Unwritten hit that exact same sweet spot only moreso.
I'm hopeful that Carey and Gross keep that sort of pacing -- a few more traditional issues and then BAM! Hammer home that mythos via similar stories to the Kipling issue.
#13
Posted 18 February 2010 - 05:50 PM
#5 quickly became a favorite single issue of mine. The exact same reasons that you said. Plus, Peter Gross is a good artist, but I felt like #1-4 were the "standard Vertigo style". With #5, that quickly left and he, in my eyes, became a force. I love how that issue looks like a story book.
#14
Posted 18 February 2010 - 06:44 PM
#15
Posted 20 February 2010 - 06:00 AM
Pros: Kind of a What If Harry Potter were real? Carey seems to be examining the relationship between fiction and "reality." Reminds me a bit of what Alan Moore explored in Promethea, but we will see as it progresses. I particularly liked the last, stand-alone story, which examines how the stories overarching conspiracy interacted with Rudyard Kipling over the decades. The idea that this story will span the ages is appealing to me.
Peter Gross' art is OK, if not spectacular.
Cons: A little on the slow moving side - but it looks like Carey is letting out the info at a measured pace. This first volume appears in large part to be set up for what's coming down the pike.
Frekkin sweers out 5: 3.75
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L nny
This post has been edited by ctowner1: 20 February 2010 - 06:14 AM
#16
Posted 23 February 2010 - 06:18 AM
I picked this up in singles and by the time #6 rolled around, I looked at my watch and waited to see how many issues were going to be in the first trade, so I could bail.
This series is a great concept no doubt about it, what if Harry Potter was Christopher Robin who is a master of fictional geography. Alas it's too decompressed for me to read on a monthly basis.
I will probably keep flipping through the issues at the shop when it comes out and if it looks like its picking up the pace a bit I may buy more floppies or just wait for the trade. It's blatantly being written for collections, so no sense fighting the format.
Overall I'd probably give this a solid 7/10. I don't love it and I don't hate it, but it really didn't hit me like I was hoping it would.
My favorite issue was the Kipling one, where Samuel Clemens made an appearance. Whatever story these guys are trying to tell, its awesome that they are involving literary legends of this level. I believe after that issue with the focus on Tommy in jail and the way it was drawn out over multiple issues I just couldn't keep up with this on a monthly basis. I don't have the patience for decompression, and while this isn't as bad as say Bendis, it's still being written for a trade in mind.
This post has been edited by Jason Aiken: 23 February 2010 - 06:22 AM
#17
Posted 27 February 2010 - 04:41 PM
#18
Posted 28 February 2010 - 09:35 PM
That said, I do think the first trade is very much a beginning. I can say that I enjoyed the first trade, but it's hard for me at this point to say if Unwritten is a good series or not. I don't feel like I've seen enough of the story's trajectory so far to form any significant feelings about the direction it's taking. This "first trade syndrome" has popped up throughout Vertigo's past on titles like Preacher and 100 Bullets, so I hope that Unwritten can pull off that brilliant second trade that really got these other series moving in the right direction.
One note about the art - I was surprised at how much more I liked the art in the Kipling issue than any of the others. To me, Gross has always been a quality journeyman artist. Simple, clear storytelling, without pushing any envelopes. In that Kipling issue, though, there was an attention to detail that really set it apart as a superior work. The backgrounds were lush, the layouts were evocative of a literary mind, and much credit goes to the color artist for his choice of palette. I don't yet know the role that these digressive issues will play in the series - if we should expect a lot of them, or how they will play into the main storyline - but I certainly hope to see the art team delivering this A-game as often as possible.
#19
Posted 01 March 2010 - 01:57 AM
Though I have to admit and maybe because it was late when I finished it but I didn't quite understand the How the Whale became story at the end of the trade. Maybe the discussion can enlighten me a little.
#20
Posted 01 March 2010 - 09:03 PM
PS: In the TP there is a story about a whale at the end. What is that?
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